Scott Prior has painted a pleasant baby blue cottage overlooking a delicate and pastel dawn skyline rising gently over the New England coastline, gazing over the hedge of an unkempt garden at the cookie-shingled house. Somehow, with the skill and sensitive eye of a master, he has found the virtuoso balance of the contrast between the chromatic cadmium orange glow in the bedroom window and the gloaming tonalism of the rising light.
Despite the shadows and desaturation of early morning, somehow Prior finds cheerful color, and the vibrant and sensual plot has a vigor and spirit of peace and place. He manages to shape a mood that feels as though someone really cared for these plants, and carefully tended this flowering little piece of homely pleasure but let it run to seed as time slowed down. There is a lovely, unconventional oddness about it and many of his compositions—an innocent sort of alienation, as if everyone on earth was suddenly whisked away and nobody remembered to turn o the lights. This is Prior’s Blue House, Early Morning.
هذه القصة مأخوذة من طبعة August 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
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The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
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The second edition of the RTIA Show presents even more art to explore and expanded special programming.
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JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
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Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
