My conflation of Michael Scott with fire began when I sat in his living room contemplating a large painting of a snowy owl rising phoenix-like from a fire as he cooked dinner for his guests over an open fire in his kiva. Over the years I’ve thought more about that conflation and about his representation of the four elements in his landscape paintings. I thought of them as representations of themselves-earth, air, fire, water as discreet elements in the landscape. Recently I saw his study, Geyser and Sky Fire, and suddenly grasped the depth of his representations of the elements, their interrelationships and their intimations of something other. The geyser became more than a visible explosion of water and steam. The phenomenon is caused by invisible fire deep within the earth. The sky fire is caused by the light from the nuclear fusion of the gases that make up the sun.
The landscape painter Albert Bierstadt (1830-1902) wrote, “The magnificent beauty of the natural world is a manifestation of the mysterious natural laws that will be forever obscured from us.” Scott contem plates the “mysterious natural laws” but also delves into their scientific bases.
هذه القصة مأخوذة من طبعة March 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة March 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
FULL EXPOSURE
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Autumnal Light
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Members of Art Dealers Association of America come together for a philanthropic affair.
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An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
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Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
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Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
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Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
