JoAnn Smith lives out in the country in the southern Finger Lakes of New York, down a half-mile drive which she admits is "fun in winter." She has no neighbors, she says, "but I have deer, turkeys, grouse and beautiful birds to keep me company." Her 1859 farmhouse is surrounded by colorful gardens (she is a Cornell Cooperative Extension Master Gardner).
When the opportunity arose, she began to paint the all-white interior of her home "to make it feel like summer in wintertime. It's like living in one of my artworks-a very nesting feeling." Her artworks are colorful, fanciful images of fruits and trees painted on canvas or panels as well as on found objects. Eventually her home had more than her artwork. It now has painted walls, ceilings and floors as well as painted floor cloths-a popular craft in the 18th and 19th centuries and completely in keeping with her old farmhouse. For her wall art she built and painted frames out of materials she found at rummage sales.
I first saw JoAnn's wall art and painted furniture in a local gallery. In a long cold winter, it brightened my spirit and made me smile. That's a good response to a work of art.
When I saw what she had begun doing in her home, I thought of Charleston, a farmhouse down a long farm track in the south of England. It was a place the Charleston Trust explains, that attracted "the 20th century's most radical artists, writers and thinkers known collectively as the Bloomsbury group. It is where they lived out their progressive social and artistic ideals." In 1916, the artists Vanessa Bell and.
هذه القصة مأخوذة من طبعة September 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.