In 1827, Joseph Nicéphore Niépce (1765–1833), coated a polished pewter plate with a light-sensitive material, mounted it in a camera obscura, aimed the device out his window and, several days later, the view appeared on the plate. Niépce’s heliograph was the beginning of photography.
William Henry Jackson (1843-1942) photographed Yellowstone in 1871. A mule team carried his bulky cameras, heavy tripods, fragile glass plates, a portable darkroom and processing chemicals.
Long ago I attended a photography school in northern Denmark. We rode our bikes downtown to buy chemicals from the chemist, mixed them according to the effects we wanted in our final images and spent hours in an unventilated darkroom breathing in the chemicals until we ran out the door to the beach gasping for air.
Today, we aim our smartphones, take a picture and send it anywhere in the world within seconds.
هذه القصة مأخوذة من طبعة August 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2023 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
FULL EXPOSURE
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Autumnal Light
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Members of Art Dealers Association of America come together for a philanthropic affair.
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An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
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Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
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Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
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Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
