
The Common Guild, Glasgow, UK
The sculpture’s upper portion, a nude female, rests on one elbow as she admires the view from her vantage point atop a wooden board balanced firmly on the work’s lower half: an abundantly stocked housekeeping trolley. The Capella Building, where she sits, is a plate-glass office development in the city’s business district. The large, seventh-floor gallery space had remained unoccupied from the building’s completion in 2008 until it was taken over temporarily last year by The Common Guild. Despite her corporate surroundings, however, Wermers’s figure is most definitely not at work.
هذه القصة مأخوذة من طبعة Issue 243 - June - August 2024 من Frieze.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Issue 243 - June - August 2024 من Frieze.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول

Waste Wizard
How a new kind of brick helped pave the way for sustainable architecture by Carson Chan

Mend and Repair
Object Lessons: At the Wexner Center for the Arts, Maria Hupfield crafts objects which link time, place and memory by Caitlin Chaisson

Father Tongue
Last year, I returned to Algiers for the first time in almost two decades. Instigated , as a curatorial research trip, the visit ultimately evolved into a deeply personal journey.

Britta Marakatt-Labba
While the act of piercing fabric with a needle may seem slight, it has the capacity to create great strength.

'I have always felt that art can change the world, and I make art to prove it.'
Interview: Gregg Bordowitz discusses his exhibition at The Brick, Los Angeles, the challenges of survivor's guilt and how art can build communities around shared experiences Interview by Jeremy Lybarger

Postcard from Chicago
Finding reprieve in the Windy City from the immediacy of the art world by Marko Gluhaich

Towards a New Museology
Gala Porras-Kim wants us to rethink how art institutes honour their holdings by Simon Wu

Then Came a Stranger
Oral History: From its roots in the New York art and theory scene of the 1970s to its transformative impact on global intellectual discourse, Semiotext(e) continues to defy boundaries, bridging avant-garde literature, radical philosophy and underground culture

The International Banal
Object Lessons: Haegue Yang writes poetry with household goods by Brian Dillon

Delcy Morelos
Cinnamon, cloves, cocoa, tobacco: you'll smell Deley Morelos's works before you see them.