IN 1987, COMPOSER JOHN CAGE wrote a four-page piece for organ called ORGAN2/ASLSP, an adaptation of Aslsp, As SLow aS Possible (1985), which he wrote for piano. Each note decays as soon as it’s been played on the piano but, on the organ, the note can be maintained for as long as the performer wishes or deems ‘possible’. Cage didn’t write a time signature, nor does his score adhere to conventional values. Thick horizontal bars follow each note, the length of which equate to a percentage of the pre-determined duration of the entire performance. Over the years, organists have competed to make their performance the longest: slow is always relative.
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هذه القصة مأخوذة من طبعة Issue 243 - June - August 2024 من Frieze.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
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Museum of Contemporary Art, Toronto, Canada
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A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).
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