Sleepers Awake
Frieze|Issue 243 - June - August 2024
Built Environment: By slowing sound, John Cage created a rousing music of shifting relations to space
Carson Chan
Sleepers Awake

IN 1987, COMPOSER JOHN CAGE wrote a four-page piece for organ called ORGAN2/ASLSP, an adaptation of Aslsp, As SLow aS Possible (1985), which he wrote for piano. Each note decays as soon as it’s been played on the piano but, on the organ, the note can be maintained for as long as the performer wishes or deems ‘possible’. Cage didn’t write a time signature, nor does his score adhere to conventional values. Thick horizontal bars follow each note, the length of which equate to a percentage of the pre-determined duration of the entire performance. Over the years, organists have competed to make their performance the longest: slow is always relative.

هذه القصة مأخوذة من طبعة Issue 243 - June - August 2024 من Frieze.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة Issue 243 - June - August 2024 من Frieze.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Frieze

I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'

Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration

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Issue 243 - June - August 2024
Tell It Slant
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Tell It Slant

Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions

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2 mins  |
Issue 243 - June - August 2024
Dean Sameshima
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Dean Sameshima

What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.

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2 mins  |
Issue 243 - June - August 2024
Nicole Wermers
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Nicole Wermers

Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.

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Issue 243 - June - August 2024
Greater Toronto Art 2024
Frieze

Greater Toronto Art 2024

Museum of Contemporary Art, Toronto, Canada

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Issue 243 - June - August 2024
Echoes of the Brother Countries
Frieze

Echoes of the Brother Countries

In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.

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2 mins  |
Issue 243 - June - August 2024
Pierre Huyghe
Frieze

Pierre Huyghe

A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).

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4 mins  |
Issue 243 - June - August 2024
Inward Yearnings
Frieze

Inward Yearnings

Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work

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Issue 243 - June - August 2024
The Promise of the Past
Frieze

The Promise of the Past

Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives

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Issue 243 - June - August 2024
Where Is Everyone?
Frieze

Where Is Everyone?

Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture

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Issue 243 - June - August 2024