
Like many artists, I find inspiration from nature where I observe color combinations and imagine how I would create texture from what I'm seeing in my art. I fell in love with watercolor many years ago, and I am still exploring and enjoying the adventure of finding new ways to create with it as a medium. I am intrigued at how versatile pigments can be, giving us completely different results each time we use them. I work with them as if they are my friends, and I do not aim to control them. Instead I prefer to be guided by what they do naturally, as I believe that this partnership brings out the best of both of us—the artist and her tools. I have always worked without a preliminary sketch, a technique I share in my following demonstration. There is a thrill in working this way that I find unbelievably exhilarating.
My studio is located in the garden of our country home in England, which is nestled by a canal surrounded by gorgeous countryside. As the seasons change my eyes are automatically drawn to different colors. I am always looking for something new and often find myself inspired by the history of art.
I do believe that the way I create at the moment is more like a scientist than a watercolor artist. I am always combining different ideas along with using conventional watercolor products, testing them for durability and staining. I find this work enhances my creations when I move back to painting with pure watercolor pigment.
It is the element of always being excited about learning, I believe, that keeps us healthy, acutely aware and enthusiastic about art. I am a gemini, which is the star sign well recognized for being creative. And I am always on the lookout for something new. I do find it impossible to sit still in my art journey, which is why I believe my art style has evolved over the years, and keeps evolving.
هذه القصة مأخوذة من طبعة February/March 2025 من International Artist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February/March 2025 من International Artist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول

Step by Step: Capturing Expression
I painted Olivier as part of a demonstration for my Wednesday online class. The month's theme was \"Alla Prima Portrait Expressions,\" focusing on capturing dynamic emotion in a static image.

Intuitive response
My work is known for its raw, dynamic energy and freshness.

The Portrait Society of America Chairman's Letter Educate, Inspire, Connect
Ralph Waldo Emerson said, \"How much of human life is lost in waiting.\"

No Place Like Home
Focusing on color mixing and composition, Kayla Martell paints blissful interior scenes

BACK-UP PLAN
An overview of the data storage options for all of the digital files that make up your art business

Apex Predators
Growing up in Kenya surrounded by nature, Guy Combes talks about the passions of painting wildlife

Skyscapes
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds

Something beguiling
In watercolor, I work exclusively with transparent pigments, carefully building textural effects through multiple glazes (sometimes up to five or six layers) to achieve dimension and detail in my realistic watercolors.

HUNCHES ARE BUILT UPON WISDOM
Harley Brown's fascinating things no one else will tell you