Anand L Rai is so soft spoken and mild natured that it's difficult to envision him as a hard taskmaster waving his whip around on the sets, getting things done through dint of force. Tell him that and he grins and says that sometimes gentle words are enough to move giants. He's a one of a kind filmmaker, not limiting himself to just one genre but believes in throwing his net wide. And he doesn't just run after superstars but casts according to the demands of his script. He has ventured into producing Marathi films as well and plans to segue into other regional cinemas soon. He always speaks from the heart and doesn't hold back as I ask:
What prompted you to make a sequel to Haseen Dillruba?
A sequel is often warranted when the characters have evolved beyond the scope of the original story. After Haseen Dillruba, I felt that while the story had reached a natural conclusion, the characters had grown in ways that warranted further exploration. The audience responded with immense love for the sequel, Phir Aayi Hasseen Dillruba reinforcing this decision.
In Haseen Dillruba, I was particularly fascinated by how an arranged marriage could transform into a love story. Both Rani and Rishu were so committed to their relationship that they were willing to go to any lengths to be together. This complexity and depth in their characters made me believe that there was more to explore.
Why did you choose Taapsee Pannu to play the title role?
هذه القصة مأخوذة من طبعة October 2024 من Filmfare.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2024 من Filmfare.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
BACK WITH A BANG
DANUBE PROPERTIES FILMFARE OTT AWARDS RETURNS FOR A BLOCKBUSTER FIFTH EDITION
GLITZ, GLAMOUR, GLORY
AMAR SINGH CHAMKILA AND THE RAILWAY MEN WON BIG AT THE DANUBE PROPERTIES FILMFARE OTT AWARDS 2024. DEVESH SHARMA NOTES THE HIGHLIGHTS.
MAHAKUMBH 2025 AT PRAYAGRAJ
A CELEBRATION OF SPIRITUALITY, CULTURE, AND COMMUNITY
BONEY KAPOOR'S BOLD REINVENTION
A HAIR-TRANSFORMING JOURNEY WITH EUGENIX
LAND OF WONDERS: UTTAR PRADESH
UTTAR PRADESH CAME ON BOARD AS AN ASSOCIATE PARTNER FOR FILMFARE OTT AWARDS 2024
GOLD STANDARD
THE DANUBE PROPERTIES FILMFARE OTT AWARDS 2024 WAS A RESOUNDING SUCCESS. DEVESH SHARMA PROFILES THE WINNERS
REMEMBERING SHYAM BENEGAL
LEGENDARY FILMMAKER SHYAM BENEGAL (DECEMBER 14, 1934-DECEMBER 23, 2024) IS NO MORE. DEVESH SHARMA TAKES A BRIEF LOOK AT HIS LIFE AND CAREER
WINNING HEARTS
HYUNDAI MOTOR INDIA LIMITED ANDFILMFARE OTT AWARDS 2024:A CELEBRATION OF EXCELLENCE