CHARMED
The New Yorker|July 22, 2024
Clairo makes music about the wallop and jolt of romantic connection.
AMANDA PETRUSICH
CHARMED

In 2017, when the singer and songwriter Claire Cottrill was nineteen, she uploaded a song called "Pretty Girl" to YouTube, under the nom de plume Clairo. Cottrill had recorded the clip from atop her bed, in front of a taped-up map of France, a poster for the indie-rock band the Shins, and a sagging stretch of Christmas lights—a classic American teen-age tableau. She periodically held up a plastic Funko-Pop toy in the shape of Gizmo, the furry protagonist of "Gremlins," or fussed with a pair of pink cat's-eye sunglasses. Everything about the clip felt unpretentious, easy,and magnetic. "Pretty Girl is about resisting the urge to dissemble and reinvent oneself in service of love: "And I could be a pretty girl/ Shut up when you want me to," Cottrill sang, making a face that suggested she could not, in fact, ever let herself be quite so subsumed by romance. Cottrill's voice is limber and sweet, and, unlike much of her bedroom-pop cohort, it has some swing, evoking Diana Ross as much as Joni Mitchell. Her vocals were accompanied by a simple beat and a wonkysounding synthesizer line. It was not yet completely rare to find something pure on the Internet, but "Pretty Girl still felt like an extraordinary début.

هذه القصة مأخوذة من طبعة July 22, 2024 من The New Yorker.

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هذه القصة مأخوذة من طبعة July 22, 2024 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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