Poker requires assessing risk with imperfect data—a true human undertaking.
Keeping a poker face had never struck me as much of a feat—until I had to keep one. My pulse quickened, my cheeks felt flushed, and my eyes were desperate to dart and size up the pot. What had been a mediocre hand was transformed, after the flop came down, into something spectacular: every card from seven to jack—a straight. All that remained was to play it cool and build up my cash prize. The bets started small, and then grew. The next two cards looked innocuous enough. My beautiful straight was intact, and the pot had expanded rather nicely.
Truthfully, I’ve never been much of a gambling man. My previous experience was limited to a few college poker nights during which my friends would hastily explain the difference between a straight and a full house and then rake in my charitable contributions to their respective beer funds. You could safely call me risk-averse. In fact, the only really reckless financial bet I can recall making was deciding to become a professional journalist.
Nate Silver, America’s most famous elections prognosticator, got me to cut loose. His new book, “On the Edge: The Art of Risking Everything” (Penguin), uses poker as a model for responding to uncertainty. Having drawn the lot of reviewing it, I realized that I couldn’t do it justice without learning more about poker—specifically Texas hold ’em. “On the Edge,” like his previous book, “The Signal and the Noise,” is a hefty set of meditations on probabilistic thinking, only this time the author is taking in broader horizons. Silver left FiveThirtyEight, the statistics-based news site that he founded and sold to Disney, but is still in the business of predicting election results. Yet his first love is poker—he once played it professionally—and “On the Edge” sees him return to that passion.
هذه القصة مأخوذة من طبعة September 09, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 09, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ART OF STONE
\"The Brutalist.\"
MOMMA MIA
Audra McDonald triumphs in \"Gypsy\" on Broadway.
INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
What is the world's largest music-streaming platform really costing us?
THE LEPER - LEE CHANGDONG
. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.
YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.