The poem appears as an epigraph in W. E. B. Du Bois's "The Souls of Black Folk," which is where Malone found it. Beneath Symons's lines, Du Bois supplies musical notation for the opening phrase of the spiritual "Nobody Knows the Trouble I've Seen." The topic, then, is sorrow, songs of sorrow, sounds of sorrow.
Malone's album, a hushed, meditative collection of pieces for male vocal quartet, brass quintet, and organ, is steeped in melancholy, but it is not the kind of melancholy that you can absent-mindedly sink into, as if wrapping yourself in a comforter on a cold night. Malone and a group of collaborators recently presented a live rendition of "All Life Long," at Lincoln Center's Alice Tully Hall, as part of the annual New York edition of the Polish festival Unsound. The titular work, vaguely in the key of A minor, was heard in versions for choir and for solo organ. The music seems, at first encounter, an exercise in trancelike minimalist repetition, with compactly rising-and-falling five-note phrases recurring dozens of times. The words "all life long" unfold as a primordial sigh. There is, however, a harmonic tension at the heart of the conception, as semitone dissonances pierce the texture in almost every bar F against E, D-sharp against E, C against B. As one of these twinges is resolved, another intrudes. The tension subsides only in the last iteration, as the bare interval A-E swells and then breaks off.
هذه القصة مأخوذة من طبعة December 09, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 09, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
NO WAY BACK
The resurgence, in the past decade, of Paul Schrader as one of the most accomplished and acclaimed contemporary movie directors is part of a bigger trend: the self-reinvention of Hollywood auteurs as independent filmmakers.
PRIMORDIAL SORROW
\"All Life Long,\" the title of the most recent album by the composer and organist Kali Malone, is taken from a poem by the British Symbolist author Arthur Symons: \"The heart shall be weary and wonder and cry like the sea,/ All life long crying without avail,/As the water all night long is crying to me.\"
CHOPPED AND STEWED
The other day, at a Nigerian restaurant called Safari, in Houston, Texas, I peeled back the plastic wrap on a ball of fufu, a staple across West Africa.
TOUCH WOOD
What do people do all day? My daughter loves to read Richard Scarry's book of that title, though she generally skips ahead to the hospital pages.
HELLO, HEARTBREAK
Heartbreak cures are as old as time, or at least as old as the Common Era.
ENEMY OF THE STATE
Javier Milei's plan to remake Argentina begins with waging war on the government.
THE CHOOSING ONES
The saga of my Jewish conversion began twenty-five years ago, when I got engaged to my first husband.
OBSCURE FAMILIAL RELATIONS, EXPLAINED FOR THE HOLIDAYS
Children who share only one parent are half siblings. Children who have been bisected via a tragic logging accident are also half siblings, but in a different way.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
BADDIE ISSUES
\"Wicked\" and \"Gladiator II.\"
