If “The Crown” is remembered as a great series, instead of just a greatlooking one, it’ll likely owe that reputation to its spectacular fourth season. The first three volumes of the lavishly budgeted Netflix series were often snoozy and uneven, presenting portraits of Queen Elizabeth II and the rest of the Royal Family that were as rigid as the institution they served. Season 4 jolted the series awake, with the introduction of two outsiders, Diana Spencer and Margaret Thatcher, whose perspectives clarified the Windsors’ blinkered privilege and their warped but undeniable humanity. At last, “The Crown” became the ambitious if staunchly royalist palace drama that its creator, Peter Morgan, had intended.
Few TV premiéres have been as fervently anticipated as that of The Crown’’s fifth season—the first following the Queen's death, in September, at the age of ninety-six. But the ten episodes, released on November 9th, are a startling letdown. Season 4 kicked off with a literal bang; early on, a boat with a member of the Royal Family on board was bombed by the I.R.A. Season 5, set in the nineties, also launches with a vessel: the Queen’s royal yacht, Britannia, which a young Elizabeth describes as dependable and constant, capable of weathering any storm.” By 1991, the moldering ship requires a multimillion-pound renovation—ideally on the government's dime—as the Queen, now in her sixties, tells Prime Minister John Major. Such a heavy-handed metaphor for the monarchy’s decline might be forgiven were it a minor plotline. But Morgan hangs on to it like a worn-out security blanket.
هذه القصة مأخوذة من طبعة November 21, 2022 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November 21, 2022 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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An 1887 opera by the Black composer Edmond Dédé finally appears onstage.
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Between the ages of fourteen and fifty-four Nadia does not for a single minute not have an admirer or a boyfriend or a better half. Then Drew, her husband, disappears forever.
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THE END OF CHILDREN
Birth rates are crashing around the world. What does that mean for our future?
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THE SUNKEN PLACE
What secrets lie in the holds of slave ships?
YOU HAVE REACHED THE U.S. GOVERNMENT
You have reached the U.S. government. We are currently unable to answer your call, because everyone has been fired except Bob. If you would like to leave a message, listen carefully, as most of our menu options have been fed into the wood chipper.
