A mong Joe Biden’s afflictions and miseries, his wormwood and gall, there are the insults (about his diminished capacities), and then there are the compliments unpaid (about his achievements). We are exposed to more of the f irst, but it seems that to him the second are more painful. In his first interview after he withdrew as the Democratic Presidential nominee, Biden—wounded, proud, self-pitying, defiant—said, by way of defending his record, “No one thought we could get done, including some of my own people, what we got done. One of the problems is, we knew all the things we did were going to take a little time to work their way through. So now people are realizing, ‘Oh, that highway. Oh, that . . .’ ” He trailed off for a moment and then recovered. “The biggest mistake we made, we didn’t put up signs saying ‘Joe Did It.’ ” He ended this with a bitter chuckle. Biden isn’t wrong. Objectively, and improbably, he has passed more new domestic programs than any Democratic President since Lyndon Johnson—maybe even since Franklin Roosevelt.
هذه القصة مأخوذة من طبعة November 04, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November 04, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.