“Challengers.”
In his shimmering melodrama “I Am Love” (2009), whose beauties range from the churches of Sanremo to the alabaster countenance of Tilda Swinton, the most ravishing image is a plate of prawns, passionately prepared and breathlessly consumed. Food is even more boldly eroticized in “Call Me by Your Name” (2017), which features suggestively oozing egg yolk and a memorably despoiled peach. And what of “Bones and All” (2022), which, being a cannibal romance, brings Guadagnino’s fixations with food and flesh to a gristly point of convergence? Let’s just say it’s his one picture that’s ideally viewed on an empty stomach.
هذه القصة مأخوذة من طبعة May 06, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة May 06, 2024 من The New Yorker.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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