A group of dancers are climbing a set of stairs toward their marks when a security guard stops a wardrobe designer in their midst and refuses to let him pass. “He’s the designer!” one woman shrieks, her voice crackling with the anxiety of countless things that could go wrong. A gate flings open, and Kylie and Kendall
Jenner pass through the backstage area, leaving me so surprised that I wheel around and almost hit Kylie with my backpack. Nearby, a troop of fans break into sprints, trying to get into a private area just in front of the stage that’s rapidly filling up with celebrities from all over the world. Eventually, the Jenners; Blackpink’s Jennie, Rosé, and Jisoo; Mexican singer Peso Pluma; and Hailey and Justin Bieber all stand there to watch Bad Bunny make history in real time.
The crowd radiates a chaotic, uncontainable energy, understanding that there will be a precise before and after this moment. Bad Bunny is about to become the first Latino solo act and first Spanishlanguage artist to headline Coachella in the festival’s 30year history.
Screens flicker. As the audience roars a few decibels louder in anticipation, Benito Antonio Martínez Ocasio is standing onstage in the dark, a mantra running through his head: Thank you, God, thank you, life, for letting me do this. It’s one of the only private moments he lets himself have during the performance — if he gets sidetracked by any thought, he tends to forget his lyrics, and this event is too big for distractions.
هذه القصة مأخوذة من طبعة August 2023 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2023 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
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