While interviewing, Punjabi pop singer and songwriter Burrah aka Jasdeep Singh, an unmissable background object is a big neon sign crafted out of his artist logo. “My dad got it made. He really likes my logo so he just one day went and got me a neon sign,” Burrah says over a video call.
There’s one here in his bedroom, another in his studio and even bumper stickers on their family car. Friends have sent him photos of the car when they spot it in traffic. He says, “I’m like, ‘That’s a breach of privacy, but okay.’”
The other side of Singh, a twenty-something New Delhibred artist known as Burrah, very intentionally public, though. Releasing music since 2019, songs like “No Love” and “About Time” made him the moody Punjabi pop and hip-hop voice. When he teamed with Bengaluru-bred producer Gurbax on “Sajna Slapper” in 2020, however, there was a palpable sense of the singer’s true range. He went on to sing on “Hausla” with rapper-producer pair Yashraj and Dropped Out in 2020 and also appeared on “Mere Warga” from Gurbax’s raucous 2022 album Rebirth.
هذه القصة مأخوذة من طبعة March 2023 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 2023 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
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