The 13th edition of bacardi NH7 Weekender might just prove unlucky for the Pune music festival. Not only have they gathered the resources to host it a second time in the same year – the 12th edition featuring entirely Indian and Indian-origin artists was held in March – but they’re also up against the resurgent crop of music festivals like Lollapalooza and big-ticket tours bringing around international artists like Russ.
Compounding this is the endless flow of rumors and guessing games for Weekender headliners. While this tradition is built upon the stellar past lineups which have satiated fans – in particular, programming artists such as Opeth, Steven Wilson and Steve Vai, among others – it’s safe to say that the festival hasn’t really been able to meet the mountain of expectations they’ve fostered.
How else do you explain #AtLeastTool – which started out as a genuinely tall order for Weekender to bring down American prog favorites Tool? They command a high fee and come with massive stage production demands that would make them a very unlikely booking for any Indian promoter, much less a festival that’s been running for a decade.
هذه القصة مأخوذة من طبعة October 2022 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة October 2022 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
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With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?
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Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
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