THE BREEN
I really studied that Deep Space Nine costume. Luckily, through the magic of Google, there was a Christie's auction years back and they had really detailed photos of the original costumes. I sat with those for a bit because the undertaking for that felt so huge, because those costumes are so specific. That helmet is very specific, the diagonal plating is very specific so you feel like, how am I going to update this where it still feels exactly like what it is?
I knew I wanted to slim it down - that's just the language of Discovery. Then, in the script, obviously fleshing out the idea of this refrigeration suit - they were in this gelatinous situation, but the refrigeration suit was keeping them in body form.
The original costume had this backpack, which I'm sure was just because they needed to hide the lighting element in the helmet. But for me, that became the genesis of the cooling technology. If you look at the backpack, it's pretty similar in terms of the style lines, but we made it more angular and slimmed it down.
There's tubing that goes into the helmet, there's tubing that goes around the helmet. There's also tubing woven all around the costume. That was inspired by cooling suits in spacesuits - if you look at those, there's a bunch of tubes that are woven and so we wove them on the diagonal, because for me that was the aesthetic language of the Breen.
Then we use those similar plates, the shoulder pauldrons. Everything is very similar in terms of the actual style lines, the silhouette has just changed because we've slimmed it down so much and made it feel more tactical and hard, a more rough and tough military feel.
هذه القصة مأخوذة من طبعة September 2024 من SFX UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2024 من SFX UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS