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There is a mesmerizing scene in the new movie Shirley that only Regina King could pull off. The film, directed by Oscar-winning screenwriter John Ridley, tells the story of Shirley Chisholm, who, in 1968, became the first Black woman elected to Congress and four years later, launched a historic bid for the Democratic Party nomination for president.
Chisholm's run for that nomination, which made her both the first Black candidate and the first woman to do so, occupies an important, if prescient, place in the history of American politics, coming four decades before Barack Obama would be elected the nation's first Black president and five decades before Hillary Clinton's nomination. Chisholm has been canonized as an unrelenting champion of the people - one who galvanized women, communities of color, and younger voters against a predominantly white, male political establishment that had too often and for too long ignored them. But she was also a shrewd strategist who embodied her campaign slogan, "Unbought and Unbossed" (which was also the title of her 1970 memoir). During her time in Congress, she drafted dozens of pieces of legislation to end the war in Vietnam and help achieve racial, gender, and economic equality.
In addition to the racism and misogyny Chisholm experienced on the campaign trail, she also faced multiple threats to her safety, including an incident where a man with a 10-inch knife tried to stab her in the back. Chisholm was always reluctant to speak publicly about the attack, but Shirley imagines her in its immediate aftermath.
هذه القصة مأخوذة من طبعة April 2024 من Harper's BAZAAR - US.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة April 2024 من Harper's BAZAAR - US.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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FASHION OFTEN LIKES to draw on the past, returning to the mood board of reliably revolutionary ideas and inspirations-the ones that thrilled us when we first saw them and never fail to deliver that familiar jolt of excitement when they resurface on the runways, in the culture, and in our feeds and lives.
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DEREK C. BLASBERG talks to filmmaker GIA COPPOLA and the one and only PAMELA ANDERSON about how destiny (and Coppola's determination) brought them together for their new movie, THE LAST SHOWGIRL
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The ACCESSORY is no longer just for HOLDING your PANTS UP. Sometimes it's NOT EVEN for PANTS at all.
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ZOE SALDAÑAhas lit up some of the mostOTHERWORLDLY sci-fi epicsof our time. But with herPERFORMANCE in the musicalEMILIA PÉREZ, she finally getsto REVEAL the very HUMANSOURCE of that POWER.
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THE PEOPLE and IDEAS SHAPING the CULTURE POLITICS of GRACE
Representative SARAH MCBRIDE, the first openly TRANS MEMBER of CONGRESS, reflects on how her experience with LOVE and LOSS taught her to pursue CHANGE from a PLACE of COMPASSION