I love that one shot of Nida just standing in the department store, dressed in shades of brown, and the store is also all in shades of brown," Anjana Vasan pauses, her lips quirking up. "And, you know, she's brown. She just blends perfectly into the background."
It's not the first time the actor has startled a laugh out of me during our conversation. As we chat over Zoom one Monday nightit is morning for Vasan in London our distance is no match for the rapport we quickly find. ("It is quite rare for me to get to speak with a journalist who is of a similar background," Vasan had noted with excitement right at the beginning.)
Two little silver jhumkis hang from Vasan's earlobes, dancing gently whenever she turns or tilts her head. Her large, doelike eyes are strikingly expressive, and they soften as she cracks affectionate jokes about Nida Huq, the character she plays in 'Demon 79'-the final episode from the newest season of Black Mirror.
The satirical episode stands out both for its dark comedy and nuanced handling of heavy sociopolitical themes, but it's Vasan's breathtaking performance as the mild-mannered but idiosyncratic Nida that really steals the show.
"There's an inherent loneliness to Nida-a sense of someone who has made herself as small as possible," Vasan observes. "I think all of us, especially people of colour, are familiar with that feeling, when you're not from somewhere and you feel like you don't belong. And I've been not from somewhere twice!"
Like Nida, Vasan comes from a family of immigrants. She had moved to Singapore from Chennai with her parents when she was three years old. They would go back to Chennai once a year to visit their extended family, but had made their new home in our island-city.
هذه القصة مأخوذة من طبعة September 2023 من Vogue Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2023 من Vogue Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
A LIFE'S WORK
There are some paths in life that are a calling and palliative care feels like one of them. With great tenderness, three hospice nurses open up on what it means to offer care—in its many forms—at the end of life.
Genetic Make-Up
Digital filters, but with real-life consequences. Vogue Singapore considers the implications behind a new generation of parents choosing to edit pictures of their children.
Mythic ROMANCE
Dior's Cruise 2025 collection transports us to the enchanting landscapes of Scotland, blending romantic narratives with modern allure.
AN ASYLUM
Co-founders Jaren Neo and Becky Ng speak to Vogue Singapore on the driving force behind their label, its in-house residency programme and their hopes for a more supportive creative ecosystem.
Metropolis of IMAGINATION
Moncler debuts The City of Genius in Shanghai, a bold celebration of creativity featuring an eclectic line-up of visionary co-creators.
STANDING Tall
The Louis Vuitton Cruise 2025 collection was an exploration of postmodern architecture and the future through sharp tailoring, romantic draping and ornamental detailing.
WATERWORKS
In an era of power showers, cold plunges and #Shower Tok, there's still merit to be found in slowing down for the age-old ritual of bathing.
First CLASS
Education is the most powerful weapon, a noble pursuit that these three watches and jewellery brands have embarked on with different approaches.
A New FRONTIER
The nearly two-century-old watchmaker Jaeger-LeCoultre has crafted its first olfactive identity courtesy of perfumer Nicolas Bonneville.
House PROUD
Two symbolic homes come together in Louis Vuitton's latest haute horlogerie creation: a pocket watch that honours its historic trunk manufacture in Asnières and its cutting-edge watchmaking facility in Geneva.