After nearly two decades of work, entrepreneur and environmentalist Luiz Felipe Aranha Moura is launching his plan to bring the municipality of Belterra, Brazil, back to the future. His visionary new Museu de Ciência da Amazônia, also known as MuCA, or the Museum of Amazonian Science, is an ambitious project that builds on fascinating local history, and has been made possible with the help of a team of high-powered collaborators, including the celebrated Brazilian architect Arthur Casas.
Belterra was created by Henry Ford in 1933. The American car manufacturer was trying to establish independent large-scale rubber production for his company, having unsuccessfully attempted to create a utopian city called Fordlandia in the heart of the Amazon five years earlier. He took the learnings from the missteps that led to Fordlandia’s resounding failure and doubled down, building what became Belterra in the image of his home town of Dearborn, Michigan. As a result, the city was laid out like an early American suburb, with hundreds of wooden buildings arranged in rows off a main street, uniform in white and emerald green and in contrast with the typical architecture of the local Tapajós culture.
While Belterra was more successful than its predecessor, the Ford Motor Company ultimately abandoned both operations when rubber production in Asia resumed after World War II, leaving behind an idiosyncratic architectural legacy tainted by Ford’s insistence on imposing American ways of working and living on the local populations.
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هذه القصة مأخوذة من طبعة May 2023 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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Role Models - Elmgreen & Dragset's subversive take on the classical form at Paris' Musée d'Orsay explores contemporary masculinities in a heteronormative world
As Elmgreen & Dragset, Michael Elmgreen and Ingar Dragset bring a smart subversion to their large-scale installations. Over the last three decades, they have taken a sideways look at social and political systems by recontextualising mainstream motifs: works have included a full-scale replica of a Prada boutique in the Texan desert and a vast, vertical swimming pool, now installed in Hong Kong.
Flask Force - A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
Loewe and Lladró are two brands with a lot in common. They're both Spanish, they're both born out of an obsessive desire to master a particular material (Loewe with leather and Lladró with porcelain), and they're both exemplars of luxury design. So it seems fitting, then, that the two maisons have finally come together for an exceptional collaboration, launching this autumn: a limited-edition run of porcelain flask toppers for three of Loewe Perfumes' classic scents.
Bloom Service - A flower-shaped brutalist beauty in Geneva gets a refresh
Tucked between the extensive campus of Geneva's University Hospital and a huddle of associated medical institutions, laboratories and surgeries, the Avenue de la Roseraie is trod by few casual visitors to the Swiss city. And yet here - out of sight in a small car park is an extraordinary structure that, situated elsewhere, would surely draw the attention of architectural students like bees to a nectar-rich flower. Horticulturalists, too, perhaps, for whom a building nicknamed La Tulipe might well incite curiosity.
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Cane and Able- Fusing traditional craftsmanship with contemporary vision, design studio Ibuku demonstrates the versatility of bamboo at a serene Bali villa
Over the last decade, Bali-based studio Ibuku, headed up by designer Elora Hardy, has become a leading expert in bamboo architecture, its output encompassing everything from a traditional Sumbanese house and a yoga and meditation space to playful treehouses and a riverside café at an eco-friendly jungle retreat in Ubud. In 2021, the studio completed The Arc sports hall at the Green School in Bali (founded by Elora's father, designer John Hardy). Made from a series of arches spanning an impressive 19m, it was a pioneering feat of bamboo engineering.
Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
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LINES OF BEAUTY
Massimo Giorgetti's new rug collection for CC-Tapis takes Milan's 1960s metro system as a departure point
Cloud pleaser
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