RACHNA PARASHER
Noida-based artist Rachna Parasher showcased two series, the Excavation Series and Anagama Series. The Excavation Series was crafted on a weathered wood pedestal, while the Anagama Series titled Bindu symbolised Devi Shakti and her action in the universe. Another attraction were pieces like Bodhi, which represented a twice-born Brahmin: one with a bodhi pointing up for ego and other pointing down for humility.
INDRANI SINGH CASSIME
Puducherry-based Indrani Singh Cassime is renowned for crafting exquisite pieces with clay. Using clay from a native lake, firing in her Anagama kiln and glazing with ash from the firewood lends her creations an incomparable rustic and sublime quality. Her expertise lies in infusing beauty into every item while taking advantage of the powerful traditional techniques like Anagama kiln firing. Through her studio Phoenix Potteries, she continues to create stunning artwork with Anagama kilns.
SARASWATI
Saraswati is a Puducherry-based Russian artist. At the age of 12, she started taking ceramics classes and had her first solo show by the time she was 20. Moving to Auroville reignited Saraswati’s ceramic art practice, giving life to a unique and whimsical miniature style of art. Her recent works reflect her spontaneous personality, merging architectural themes with organic forms.
ELODIE ALEXANDRE
هذه القصة مأخوذة من طبعة April - May 2023 من Elle Decor India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April - May 2023 من Elle Decor India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
A TIME IN HISTORY GARDEN OF AWADH
Inspired by landmarks like Rumi Darwaza and Imambaras, Good Earth's new store in Lucknow takes you on a visceral journey to the historic scapes of Awadhi architecture
HIDDEN IN PLAIN SIGHT: FOUR HOMES & A CITY
At Hisar, Bindu Manchanda brings the gaze back to heritage with a renewed perspective: shifting the focus from monumental grandeur to the often-overlooked details that shape the fabric of history in everyday life
BOLD, BEAUTIFUL AND A LITTLE BERSERK PRIYANKA THAKKER
The world is her canvas: from the lens of a multidisciplinary artist, who champions a life of individuality — one brushstroke at a time
MODERNIST'S MADRAS
In the evolving heart of Madras, a modern family home by Gowri Adappa reawakens with traditional undercurrents of unique art objects and a serene courtyard that bridges time and generations together
THE GOLDEN PENCIL WRITES A NEW CHAPTER
The Kohler Bold Design Awards kicked off at Liberty Cinema in Mumbai, recognised for its Art Deco architecture. With Creative Partner ELLE DECOR India, winners across 13 categories and the John Michael Kohler Lifetime Achievement Award were celebrated for their prowess
TO VICTORS BELONG THE CROWN
EDIDA India 2024: Meet the winners of the 23rd edition of ELLE DECO International Design Awards India
(UN)SCRIPTING THE YEAR OF #2025
The internet said so. This has likely been a favourite catchphrase of us digital nomads. In an era where our likes and opinions are informed by a fleeting feed of trends and our living dens battle the possibilities of facing repeated design templates, our curious compass led us to 11 creative magnates in India who question the very existence of ‘trends’. Is it even real? Skipping the theory of what’s next and recycling the same-old patterns, they flip the script in favour of unfiltered perspectives and their constant evolution as individuals. The result? 2025 could be the year of anti-trends. A year sans predictions. A year, much unrehearsed.
A NEW VOCABULARY
Nestled within a colonial-era building in Colaba, the new age workspace of SJK Architects brims with a breezy, nouveau architectural charisma
GOLD GILDED AND GLORIOUS
Maximal yet rooted in restraint, Sachin and Neha Gupta craft a world of colours and stories inside a home in New Delhi that illustrates that more isn't always excessive but when done right, can be congenial, warm, welcoming and perfectly balanced
IN CONVERSATION WITH NIPA DOSHI
What do practice and feminism share in common? The Indian-born international EDIDA winner and co-founder of Doshi Levien examines the anatomy of design and its intersections with culture