WHEN the chapel at Crosby Moran Hall was dedicated, to the sound of early music, earlier this year, a new chapter opened in the history of this extraordinary building. Most Londoners have seen little beyond the outside walls of what is effectively a new palace overlooking Cheyne Walk on the north side of Battersea Bridge, but readers of COUNTRY LIFE have been given several privileged glimpses of it over the years, most recently in February 18, 2015. This article is not the last we are likely to publish, as there are more remarkable plans in view for this property, but it shows the house approaching fruition as the London equivalent of the Frick Museum in New York, US. Whereas the Frick contains art of many periods, however, Crosby Moran’s architecture and collections are all Tudor and early Stuart and, at some future date, will be accessible to specialist groups and other visitors.
The story begins in the 1970s, with a successful young businessman taking walks along the towpath on the other side of the Thames. Christopher Moran was 21 when he bought his first piece of Tudor furniture, beginning a lifetime of single-minded collecting and scholarship at the highest level. Looking across the river, he saw Crosby Hall, built between 1466 and 1475 by the wool merchant and diplomat Sir John Crosby on Bishopsgate in the City of London. It was a house that Elizabethan historian John Stow described as ‘verie large and beautiful and the high- est at that time in London’.
هذه القصة مأخوذة من طبعة August 09, 2023 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 09, 2023 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
