THE revolutionary Florentine artist Donato di Niccolò di Betto Bardi, otherwise known as Donatello, is popularly considered to be the greatest Italian Renaissance sculptor of all time. He invented techniques that set sculptural practice on a new path and influenced his successors, including the peerless Michelangelo. His interest in portraiture saw him create empathetic figures based on careful observation of antique Roman statues. He introduced the use of low-relief 'flattened' carving (rilievo schiacciato), allowing him to achieve greater drama and apparent depth in his work. And he designed beautiful works of art in multiple materials, including marble, bronze, terracotta and wood. To him we owe the creation of the first freestanding nude male statue since antiquity-the extraordinary bronze David, alive with contrapposto.
Donatello's success was hard won. He was a working-class artist whose father, Niccolò, originally a wool carder, was briefly exiled from Florence for his revolutionary politics and for committing murder during a street brawl. Unlike his contemporaries, he was proud of his humble origins and rejected the trappings of success, refusing to pander to his patrons. Although his strong personality contributed to the power and imagination of his sculpture, contemporaries described him as 'rough and very straightforward' and he was known for his coarse language and neglect of his appearance. An unsatisfied patron, Duke Ludovico Gonzaga of Mantua, complained that the sculptor was 'very tricky' and inflexible, adding that once 'he had a mind made up in such a way that if he does not come, one cannot entertain any hope of it, even if one pesters him'.
هذه القصة مأخوذة من طبعة February 08, 2023 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 08, 2023 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
