She stood alone atop a black staircase before a megascreen that had all night projected many curious symbols-digital mitochondria, ancestral totems, a beetle-but would soon show a giant moon. Till then, it was just her. Just her and me, just thousands of Mes watching their own private Her. It was late July in Dallas, in the blunt-filled dark of the American Airlines Center, during one of the hottest summers we'll ever experience until next summer. Time had come for Erykah Badu to sing "Orange Moon.
From the keyboard trickled pools of ascending notes, and under those keys crickets chirped softly. Everything was very still, everything was the memory of your first great summer lover-then she nosedived into the first lines:
I'm an orange moon
I'm an orange moon
Reflecting the light of the sun
The drums locked in. Three background singers oohed on cue. Then Badu's voice-which some compare to Billie Holiday's, though she compares it to a clarinet-pulled us through the song, from her album Mama's Gun. It's a tale of a man who'd spent so many, many, many nights all alone because his light was too bright. Until, one day, he turned to her. He saw his reflection in her. He smiled at her. He said to her: "How good it is."
Their tale went on, and soon it was Badu realizing "how good it is," sweetly singing "how good he is," wailing "how God is." Nearby, a few entranced listeners were on their feet, just some of the thousands she played to during her 25-city Unfollow Me tour this summer. One sister held her hand high in praise, in "yes," as she swayed, and soon Badu's eyes were back up on the megascreen in double. The moon returned, bigger and oranger, and the crickets and keys brushed up against each other in pace with Badu's aching voice, musing howgoooditisss, so many different ways and wonderings, until she landed, softly, finally, on a solitary syllable, 000000000.
هذه القصة مأخوذة من طبعة September 11 - 24, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 11 - 24, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten