ON JANUARY 23, Anna Wintour was in Paris, taking in the Armani Privé couture show from the front row at the Palais de Tokyo. Meanwhile, back at the ranch in lower Manhattan, her staff at Condé Nast had broken into open revolt, picketing on the West Side Highway outside the company’s headquarters at One World Trade. A series of union members riled up the crowd. “Be brave, be courageous, do some wild shit, because right now, those suits upstairs are at their meeting table, snickering about how all of you are weak,” said one. “Is that true? Are you weak?” “Nooooo!” the crowd bellowed back.
It is an especially miserable time to be employed there—and nearly everywhere else in media. Lately it has felt like much of the media industry has been put through a trash compactor: Time magazine had layoffs, and Sports Illustrated was essentially euthanized. The day of the Condé strike, the L.A. Times axed more than 20 percent of its newsroom; two days after the strike, Business Insider announced it was laying off 8 percent of its staff. The Washington Post just bought out 240 employees. It has dawned on journalists that journalism might all but cease to exist in the near future—and that whatever form it takes is being shaped by executives who have no idea how to create a sustainable business.
هذه القصة مأخوذة من طبعة January 29 - February 11, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة January 29 - February 11, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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