THERE'S A SCENE in the Jennifer Lawrence movie No Hard Feelings where her clothes catch fire. She's riding on the hood of a car as it speeds across a crowded beach and crashes into a barbecue, sending burning coals flying. But the flames don't look like any real ones that you've ever seen. They're plasticky and neon yellow, pointing straight up when they should be blowing back toward the windshield. Even in a low-effort comedy such as this one, the effect is distractingly flimsy. ¶ It's not an isolated incident. Computer-generated fires are breaking out everywhere, and they look terrible. Prominent house fires in last year's The Banshees of Inisherin and Glass Onion: A Knives Out Mystery appear as if they've been scribbled onto the liveaction footage by hand. So do the kitchen fires on Hulu's The Bear and some wildfires on CBS's Fire Country. On Game of Thrones, the dragons' breath was created by mounting honest-to-goodness flamethrowers on cranes; on the spinoff House of the Dragon, the titular creatures are clearly spewing digital fire. Amid all the obvious effects in the latest Thor and Guardians of the Galaxy movies, it's the fires-flat, over saturated, and motion-smoothed-that stick out most.
Not so long ago, there was no CGI, so the only way to put fire on film was to light a real one in front of a camera. For decades, Hollywood pyrotechnicians ignited scenery, vehicles, and stuntpeople, often within face-scorching distance of movie stars and children. Houses were burned down for deodorant commercials, and Pink Floyd once set a guy on fire just because they thought it would look cool on an album cover. In rare cases, there were injuries and even deaths, but that didn't deter filmmakers from embracing an effect that couldn't be achieved by any other means.
هذه القصة مأخوذة من طبعة October 23 - November 5, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 23 - November 5, 2023 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
