IT'S AN ACHIEVEMENT of sorts to make one of Truman Capote's most infamous society stunts seem boring. Feud: Capote vs. the Swans devotes a flashback episode to Capote's 1966 Black and White Ball at the Plaza hotel, where the invitees wore masks, the tablecloths were red, and the guest list included everyone from Andy Warhol to Lynda Bird Johnson. It was the high-water mark for a certain type of American excess, a time when the outrageous and aristocratic all got stuffed into the same blender of celebrity. Feud tackles the spectacle through a faux black-and-white documentary in which Capote, played by Tom Hollander, primps for the ball while stringing along his clique of high society ladies with the promise that one will be the guest of honor.
The show delivers on the cattiness and the glamour and the factoids, such as Capote serving everyone spaghetti and chicken hash with Champagne, but misses deeper insight into why Capote's guest list was revolutionary or how society was shifting. Feud chooses easier themes: Capote is haunted by the ghost of his mother (Jessica Lange), who monologues in an obvious drawl about her class resentment. (No more storytelling by way of ghosts, please!) The fact that Capote's guest of honor would actually be Katharine Graham, and not one of his Swans, is introduced as an afterthought. (You have to do your own research to learn more about the publisher of the Washington Post.) Seven years after Feud's first season, which tepidly reheated the fights between Joan Crawford and Bette Davis, Ryan Murphy's anthology series returns to depict a more conceptual battle.
هذه القصة مأخوذة من طبعة February 12-25, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 12-25, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
