THESE FILMS tend to follow a template: Cameras trail a singer through the recording studio or on tour. The subject speaks in dulcet tones about their life; tension is derived from the quest to exist as a public figure.
There is footage from their childhood, brisk montages, and testimonies about the nature of fame-all aimed at making the artist seem grounded and even more worthy of adoration. (And you can bet that they, or their manager, will be credited as a producer.)
We're in a boom time for the publicist-approved pop-star documentary. In the past four years alone, we've seen series and features about Jennifer Lopez, Taylor Swift, Billie Eilish, J Balvin, and many, many more. This year, we've already got Lil Nas X: Long Live Montero and Kings From Queens: The Run DMC Story (with more to come about Nicki Minaj, Brian Eno, Indigo Girls, Devo, and Céline Dion). While filmmakers have been profiling musicians for decades, early-2010s docs like Justin Bieber: Never Say Never and Beyoncé: Life Is But a Dream established the current formula. Containing two or three headline-generating revelations, these projects are mostly a way for artists to control their image from start to finish. How do you know if you're watching one? Just look out for these key elements.
1.The Origin Story
Whether it includes grainy footage of a talent show or memories of the church choir, a story about the dawning of the artist's talent is a must.
Childhood, whether beatific or brutal, is framed as a source of drive and set to a wistful score. We might learn this via camcorder videos of a miniature frolicking future star, as in Selena Gomez: My Mind & Me, or present-day footage, as in Machine Gun Kelly's Life in Pink, when the performer returns to the Cleveland block where he spent his teenage years.
2. Woe Is Fame
هذه القصة مأخوذة من طبعة February 12-25, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 12-25, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.