THE ARDUOUS ROLLOUT of Katy Perry's seventh studio album was a rare gaffeonly product launch. While 143's lead single, "Woman's World," signaled an aggressive pivot to the disco of Beyoncé's "Break My Soul" and Lizzo's "About Damn Time," Perry's play at a comeback was derailed by the lyrical simplicity on display, which felt better suited to pharmaceutical ads. The music video's absurdist gestures so confused its feminist intent that Perry later claimed it was satire. The presence of hitmaker Łukasz "Dr. Luke" Gottwald, whose nearly decadelong legal war with Kesha over sexual-assault allegations was finally settled out of court last year, undermined the theme of women's empowerment. Neglecting to sufficiently address the thorn in her charm campaign, the singer instead spoke of triumph over emotional adversity and an itch to have fun again: "If you don't find a way to sow seeds in the valleys," she recently told radio DJ Zane Lowe, "you never find those fruits in the peaks." 2020's Smile was her exploration of those lows, but 143, which revels in joy without urgency, is stilted by its own one-note message.
Yet to anoint it a contender for Pop Flameout of the Year would be to ignore the trends that merged to form this Infinity Gauntlet of missteps. Two years after Beyoncé's Renaissance-and ten after Taylor Swift's bubbly juggernaut 1989-neat, unobtrusive synth pop feels perfunctory. Everybody's doing it because everybody's doing it. The Weeknd single "Dancing in the Flames" huffs the glory of "Blinding Lights"; the 1989-core on Swift's The Tortured Poets Department was outshone by the deluxe edition's folk musings. This decade (in which even Paris Hilton is reworking old house anthems) may well be marked by a torrent of popular but noncommittal dance music.
هذه القصة مأخوذة من طبعة October 07-20, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 07-20, 2024 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.