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Somewhere in the middle of afternoon tea, between a caramel pudding and my second scone, I realised I didn't have my phone with me. The thought spread like the warm toffee oozing over the pudding: placidly and unhurriedly. That's when I knew that I—someone who hadn't been able to abandon emails and social media for more than a few minutes since the pandemic—had truly left the fast life behind.
How had this happened? Three days ago, I'd boarded the Regent Seven Seas Explorer in Vancouver along with 745 other passengers. We were bound for Tokyo, on a route that would cover 4,936 nautical miles and take us around Alaska and across the Pacific Ocean. For reference, flying from Vancouver to Tokyo takes about 10 hours. In comparison, our journey would take 19 days, of which six were to be spent at sea, with nothing but waves on the horizon. This, clearly, was an expedition to be savoured, not gulped; an education in enjoying the moment and restraining from barrelling towards the next. Arriving in the Japanese capital would merely be an eventuality, not the goal.
A DIFFERENT DIMENSION
In that respect, lively Vancouver was the perfect starting point. The city is Canada's biggest by population, with the number of metro residents projected to cross three million for the first time this year. On Robson Street, the main shopping belt, the pavement teemed with people, designer boutiques and hip cafes selling sourdough doughnuts and lattes. The city's famous Chinatown was equally busy—getting lunch at a no-reservations dim sum restaurant involved standing in an hour-long queue for a table.
هذه القصة مأخوذة من طبعة December 2024 من Prestige Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 2024 من Prestige Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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LA LA LAND
ALL'S WELL IN THE REALM OF HAUTE COUTURE, WHERE QUESTIONS OF WEARABILITY ARE HARDLY THE MOST PRESSING. JANUARY'S REALITY-SUSPENDING SPRING/SUMMER 2025 COLLECTIONS COMBINED OUT-OF-THIS-WORLD TECHNIQUES TO PUSH THE BOUNDARIES OF THE HANDMADE EVEN FURTHER. PRESTIGE REPORTS FROM THE FRONT ROW.
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A Modern Monument
With the RM 16-02, Richard Mille's quintessential rectangular watch embraces sharp, unyielding lines for an architectural masterpiece for the wrist.
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FAMILY VALUES
HRnetGroup's chief corporate officer joined the family business through a stroke of fate, but as she discovered, her father had prepared her for the role even before she assumed the mantle.
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STROKES OF CREATIVITY
The fine watchmaking world can be a very serious one. But as these recent collaborations show, putting artists and designers in charge can lead to some very inspired – and very covetable – creations.
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GENERATION NEXT
After more than a decade in production, Porsche has produced an entirely new Macan SUV only this time it's electric powered. Prestige drives it.
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Museum Quality
Four must-see art destinations around the world debuting in 2025.
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THAILAND RISING
Does this Southeast Asian kingdom have what it takes to become Asia's next big art hub? Patron MARISA CHEARAVANONT and curator STEFANO RABOLLI PANSERA certainly think so.
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TAKING SHAPE
It might not be as instantly recognisable as the Tank or Santos, but the petite oval Baignoire is swiftly coming into its own as a Cartier horological icon.
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ARTISTS TO WATCH 2025
As the Prestige team geared up for Hong Kong's annual art-athon, we also set ourselves the task of identifying the emerging talents from eight East Asian countries, who should all be registering on your cultural radar this year. The following 16 virtuosi made our final cut.
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CALL HER BY HER NAME
Defying convention in 1995, DOMAINE ANNE GROS was one of the first eponymous female wine estates in Burgundy. And freedom is still the winemaker's mantra when it comes to her venture in the south of France.