Writing a believable, engaging work of historical fiction is difficult enough. Writing one that also works as an allegory for modern times is threading the needle, really. Look at Arthur Miller’s classic play The Crucible, for example. Structured as a fictionalization of the late 17th
century Salem witch trials, this 1953 play also worked as a scathing commentary on one of the biggest American issues of that decade, McCarthyism i.e., the American government’s persecution of individuals suspected to be Communists. Zadie Smith’s new novel The Fraud pulls off a similar tightrope act. While it follows a small set of English characters in the 1860s (and their reactions to a widely publicized legal case pertaining to fraud/ identity theft), Smith’s allegorical skills make it clear that she’s also talking about the ‘shadowy elites vs the common man’ framing of Trump-era politics.
هذه القصة مأخوذة من طبعة October 2023 من Reader's Digest India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2023 من Reader's Digest India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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