Tina Turner defined the role of the female rock star and took it to stratospheric heights. Blessed with a strong, soulful singing voice and phenomenal reserves of energy, she was a performer with a smart, sophisticated sheen underpinned by raw, animal magnetism. Her 1984 album Private Dancer sold more than 12 million copies worldwide – a tally matched by only two other albums released by women up to that point (Like A Virgin by Madonna and She’s So Unusual by Cyndi Lauper). Turner’s show at the Maracana Stadium in Rio de Janeiro in January 1988 in front of 180,000 fans earned her a place in the Guinness Book Of World Records for the largest audience ever assembled (at the time) by any performer, male or female, for a ticketed musical event. Turner was then 48 and close to the peak of her powers: a star of MTV, a member of the Live Aid rock aristocracy, a global stadium-rock phenomenon, and a household name. She was simply the biggest, as well as the best.
When I met her in London in June 1987, she had acquired an appropriate grandeur but was nevertheless a somewhat nervous and tightly strung object of scrutiny as she navigated her way through an afternoon of interviews with various international journalists, ending with an appearance on Terry Wogan’s show at BBC Television Centre. Smaller than you would think (5'4") and immaculately dressed in a simple but stunning skirt and top, she spoke quietly but firmly.
هذه القصة مأخوذة من طبعة Summer 2023 من Classic Rock.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2023 من Classic Rock.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Dream Theater
With friends (and bandmates) reunited for the band's 40th anniversary, it'll be a special night for fans at Wembley Arena.
Royal Republic
Livewire, turbo-harmonised, disco-rocking Swedes get ready for upgraded UK and Europe dates.
GOTTA KEEP MOVIN'
In 1968 the MC5's Kick Out The Jams album was a grenade thrown into the music scene. In the decades since, Wayne Kramer acted as guardian of the band's legacy until he died earlier this year, after making one final album.
THE KILLING FLOOR
Now revered as a linchpin moment in the history of the blues, Howlin' Wolf's London sessions in 1970, with a superstar cast that included some of England's rock royalty, came out of a chance encounter several months earlier at a gig in San Francisco.
ROGUE TRADER
Recording almost everything on his latest album himself and putting it out on his own label, Tuk Smith followed the adage that if you want something doing properly, do it yourself.
BILL WYMAN
WW2 evacuee, RAF airman, Rolling Stone, hit solo artist, bandleader, author, restaurateur, archaeologist, cricketer... Even just his time in The Greatest Rock'N'Roll Band In The World is storied, but there's been much, much more to his life than that.
LIFE IS A JOURNEY
For some people, travelling life's road is easy. For lifelong worrier Myles Kennedy it's anything but. But with his brand new solo album The Art Of Letting Go he's learning just what that title says.
ALL ABOUT BEING LOUD
In an exclusive extract from his Fast Eddie biography Make My Day, long-time Motörhead associate Kris Needs looks back at the making of their game-changing Overkill album and the subsequent killing-it UK tour.
Nikki Sixx
The Mötley Crüe bassist on making new music, replacing Mick Mars, work-life balance, learning when to say no...
Bobbie Dazzle
Meet the West Midlands singer bringing back upbeat music, fun and fashion of the 70s.