ALL ABOUT BEING LOUD
Classic Rock|November 2024
In an exclusive extract from his Fast Eddie biography Make My Day, long-time Motörhead associate Kris Needs looks back at the making of their game-changing Overkill album and the subsequent killing-it UK tour.
ALL ABOUT BEING LOUD

In late 1978, now signed to Bronze Records, and with the latest tour completed, Motörhead could get down to two weeks of recording at Roundhouse Studios in London. Whereas Motörhead had been hammered out double-quick in a desperate bid to clinch an LP release with Chiswick Records, the album that became Overkill had a bigger budget and meant 'Fast' Eddie Clarke could take his time on his overdubs once the trio had recorded the basic tracks.

Producing was the legendary Jimmy Miller, who'd made his name at Island before helming the Rolling Stones' late-60s and early-70s 'purple patch'.

His dad had run a New Jersey club favoured by the Rat Pack, and brought Elvis to Las Vegas in 1969. Miller had trained in studio engineering as a protégé of Stanley Borden, the owner of US labels RKO, After Hours and Unique Jazz, who was Chris Blackwell's original backer in Island Records.

After Borden suggested bringing Miller over to the UK, he swiftly established himself producing hits for the Spencer Davis Group, including Gimme Some Lovin', and I'm A Man which he co-wrote with Steve Winwood. Miller went on to work on big late-60s albums by Spooky Tooth, Traffic, Blind Faith and Delaney & Bonnie before '68's Beggars Banquet marked the start of his studio relationship with the Stones, which continued with Let It Bleed, Sticky Fingers, Exile On Main St and Goats Head Soup.

Miller could also play percussion, and did the cowbell intro to Honky Tonk Women and played drums on several tracks when Charlie Watts was indisposed or demurred.

His close relationship with the Stones collapsed only after he became addicted to the heroin that was then around in abundance, and he had to be dismissed.

Charlie Roberts, one of 'Fast' Eddie's closest friends and confidantes, and who was there from the beginning of Motörhead, remembers the band's gig at High Wycombe Town Hall where Miller was checking out the band he was about to work with.

هذه القصة مأخوذة من طبعة November 2024 من Classic Rock.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة November 2024 من Classic Rock.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من CLASSIC ROCK مشاهدة الكل
BORN TO RUM
Classic Rock

BORN TO RUM

Dragging traditional folk into the rock sphere while on the precipice of international stardom, The Pogues looked like a chaotically ramshackle and dysfunctional unit in the mid-80s with second album Rum, Sodomy & The Lash. In reality they were a resolutely determined hard-working band.

time-read
10+ mins  |
March 2025
THE VAGABONDS RETURN
Classic Rock

THE VAGABONDS RETURN

With the release of Thin Lizzy's new Acoustic Sessions, with Phil Lynott's 70sera vocals, guitarist Eric Bell and producer Richard Whittaker tell us about grassaddled sessions, unfinished business and why this project definitely isn't Al.

time-read
5 mins  |
March 2025
"I WANTED A GROUP WITH GRIT.EXCITEMENT AND EDGE"
Classic Rock

"I WANTED A GROUP WITH GRIT.EXCITEMENT AND EDGE"

Between two spells with Deep Purple, singer lan Gillan led two of his own bands, with great success. Here he looks back at Gillan, and how intra-band friction tore that group apart.

time-read
10+ mins  |
March 2025
KILLERS, BEASTS, SLAVES, SONS. SOULS...
Classic Rock

KILLERS, BEASTS, SLAVES, SONS. SOULS...

With Iron Maiden celebrating their 50th anniversary this year, we talk to all the members of the band and look back over the successes, trials, tribulations, thrills, spills and genre-defining records of the longest-running and arguably greatest heavy metal band of them all.

time-read
10+ mins  |
March 2025
“LIKE HAVING A BRICK WALL COMING AT YOU!"
Classic Rock

“LIKE HAVING A BRICK WALL COMING AT YOU!"

In 1974 King Crimson released Red, one of their most underrated albums at the time. On its 50th anniversary, Crimson alumni discuss the continued allure of an album

time-read
10+ mins  |
March 2025
Ricky Warwick
Classic Rock

Ricky Warwick

The Almighty frontman on his new solo album, digging Northern soul, his good work ethic, quitting drinking...

time-read
4 mins  |
March 2025
Shaman's Harvest
Classic Rock

Shaman's Harvest

They've come through life-changing adversity. They know how to party. They're finally coming over here...

time-read
3 mins  |
March 2025
Last Train
Classic Rock

Last Train

With album number three they're hoping to pull into stations outside their native France.

time-read
2 mins  |
March 2025
The Knack My Sharona
Classic Rock

The Knack My Sharona

The LA band's stuttering rocker with the dirty m-m-mind, about someone who for co-writer Doug Fieger was \"love at fist sight\", was one of the biggest hits of 1979.

time-read
4 mins  |
March 2025
SONGS OF INNOCENCE, SONGS OF EXPERIENCE
Classic Rock

SONGS OF INNOCENCE, SONGS OF EXPERIENCE

Moving to a new studio, and with band members taking on new roles, with their new album The Manic Street Preachers continue to innovate and experiment.

time-read
10 mins  |
March 2025