ABILITY RATING
Key Various Tempo 98 bpm (swing feel) Info https://bit.ly/3nFudpm
Advanced
Will improve your… Navigation for unique chord changes Rhythmic phrasing Picking, legato and harmonic techniques
This month we are delighted to welcome back Andy Timmons for another video lesson and discussion, after his highly popular 2018 performance on Jason’s track Jubilant, back in GT278.
Big Man Walking is a vibrantly arranged rock piece in a ‘swung 16th’ feel, with an unusual chord change (E-Bb) and modulations through several keys (see the chart on page 27). All of this adds up to a sophisticated piece that Andy’s musicianship was more than up for. After his stunning performance, he goes into detail about his playing approach and choices, which provides great insight into how he addresses a new piece. After listening to it several times, he created several composed motifs which provided the basis of his solo. He also covers how he dealt with the chorus chords and explains how they are not all from one key, thus making things a little tricky. Through a process of jamming over the chorus chord progression Andy settled on a melody that he liked. This pre-composed route is a good strategy when trying navigate non-diatonic passages. Andy then takes his motif up an octave, a classic way to extend interest for an idea. The turnaround lick outlines the B7 chord and takes us into the verse.
هذه القصة مأخوذة من طبعة October 2022 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2022 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
