GT: Do you have a type of pick that you can't live without?
HL: I pretty much exclusively use a Dunlop Jazz III. When I first discovered them in my late teens, it felt like my playing elevated overnight. I keep a Jazz III in all my guitar cases and even my wallet. You never know when a guitar might appear in front of you!
GT: If you had to give up all your pedals but three, what would they be?
HL: I gave up with pedal boards quite a few years ago. I got sick of the dreaded tap dance every time I had a guitar solo coming up. I use a rack mounted Fractal Axe FX at the minute, where I regularly have pedals in my signal chain. If I went back to physical pedals, I would absolutely be putting an Ibanez TS9 in there, ideally the TS808 version. They tighten the bottom end up so well, which is great when using seven-strings which I use live for most ATLAS tracks.
GT: Do you play another instrument well enough to do so in a band, and if so have you ever done it?
HL: I don't. I have always fancied giving the drums a go though. I'm always tapping away on the steering wheel when driving, which drives my girlfriend crazy.
GT: If a music chart were put in front of you, could you read it?
HL: I could, but I certainly couldn't sight read. I did music at A level for a year before I realised that college wasn't for me.
GT: Do guitar cables really make a difference? What make are yours?
هذه القصة مأخوذة من طبعة April 2024 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 2024 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
THE MOODY BLUES
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WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
