Neville Marten (editor 1994-1995 and 2004-2022)
Towards the end of 1993 I was editing Guitarist and Phil Hilborne handled the music. We felt the market could stand an all-technique guitar mag so we planned it: real song tabs, popular genres, the best tutors. Before long Phil was doing A-Z Of Great Riffs, Lee Hodgson had Hot Country, Frank Evans did Jazz, Eric Roche handled Acoustic, Shaun Baxter took on Rock, Geoff Whitehorn brought us Blues, and Cliff Douse wrote about Scales And Modes. We also had Guthrie Govan, Dave Kilminster and Jamie Humphries doing full song transcriptions. Launched in March 1994 we were an instant hit. To highlight GT’s sheer reach, in the early 2000s Guthrie and I were strolling around LA’s NAMM Show where he was demoing Cornford amps. As we perused the aisles people were coming up to greet him, stunned by his playing on the stand but also due to GT. And to the end we’ve had the greatest tutors and the finest guitar tuition. But things change. They have to. And I’m happy to say I was here for the first and very last issue of a magazine that’s as highly regarded today as it was 30 years ago. Thanks for coming along for a unique and spectacular ride!
Phil Hilborne (music editor 1994-2003, writer till now)
هذه القصة مأخوذة من طبعة December 2024 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 2024 من Guitar Techniques.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
