BEFORE ANDY BELL strode across grand stages with the U.K.’s most cocksure band, Oasis, he handled six-string duties for Ride, one of the shoegaze genre’s preeminent acts. Bands like Lush and Slowdive linch-pinned shoegaze on the other side of the pond. And, sure, they were stout, but Ride’s first two records, Nowhere (1990) and Going Blank Again (1992), proved to be high points of the period.
Looking back on his reaction to Nowhere and Going Blank Again, Bell tells Guitar World, “I think there’s one moment that I remember that came after we finished Going Blank Again. When we finished that album, and it was mastered, [Ride guitarist] Mark [Gardener] and I drove back to Oxford, and he put it on his stereo at home. When we sat there and listened to Going Blank Again, we didn’t speak; we just listened. At the end, we were just like, ‘That is so good.’ But I don’t have a similar memory with Nowhere because, at the end, it was so stressful because we were hammering up against a deadline. The last days of Nowhere’s recording were chaotic; we worked night and day to mix it. But the guy who was supposed to mix it had a breakdown, which led us to call [producer] Alan [Moulder] to save the day. I don’t really remember having that same pleasurable playback moment with Nowhere where I said, ‘Ah, that’s a great record.’ I remember it being stressful.”
هذه القصة مأخوذة من طبعة November 2023 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November 2023 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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