
AFTER MORE THAN 50 years of rocking and rolling all night, Kiss have done their damnedest to deliver the smashes, thrashes and hits that the Kiss Army craves. Of course, it hasn’t been all smooth sailing — especially from a lead guitar perspective. After Ace Frehley’s initial mad dash to glory, Kiss, at least for a minute there, had trouble securing the services of a reliable six-stringer.
That’s not to say that Vinnie Vincent and Mark St. John weren’t talented. And, of course, Bruce Kulick was nothing short of a champion during his 13-year tenure, while Tommy Thayer is the epitome of reliability. But there’s no denying that turbulence has long been a part of Kiss’s guitar-related process, as evidenced by the need for several session players to save the day throughout the Seventies, Eighties and Nineties.
Ergo (yeah, we said “ergo”), GW is looking back on the long history of the session guitarists who helped make up the fabric of Kiss’s recording history.
Bob Kulick
KULICK AUDITIONED FOR Kiss in late 1972 but was passed on in favor of the more flamboyant Ace Frehley, who — coincidentally — auditioned immediately after. While Kulick wasn’t a fit for the Kiss aesthetic, his chops impressed Gene Simmons and Paul Stanley enough that they came calling numerous times over the years.
The first occurrence of Kulick subbing for Frehley came in 1977 when Frehley was too busy playing poker to record most of Alive II’s side-four studio tracks. Kulick was asked to cover for Frehley on “All American Man,” “Rockin’ in the U.S.A.,” “Larger Than Life” and “Anyway You Want It.” Reportedly, Kulick was supposedly tasked with trying to imitate Frehley, but it was all too obvious that Frehley was MIA.
هذه القصة مأخوذة من طبعة October 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول

GEORGE'S OTHER MASTERPIECE
Living in the Material World, George Harrison's 1973 follow-up to All Things Must Pass, is a moveable feast that's ripe for rediscovery. Dhani Harrison dissects the making of the original album and producing the new 50th-anniversary box set

Spiral XP
SHOEGAZE SUPERFAN MAX KEYES EMBRACES OPEN TUNINGS, PITCH BENDS AND MORE ON HIS LATEST ENDEAVOR

Yasmin Williams
A FOLK GUITAR VIRTUOSO BRANCHES OUT ON HER THIRD ALBUM, ACADIA

DREAM ON
Forty years into their career, Dream Theater have received a vital transfusion via the return of original drummer Mike Portnoy. John Petrucci takes you inside the reunion - and the band's new album

Neon Nightmare
HOW SPIRIT ADRIFT'S NATE GARRETT CREATED A BRILLIANT ONE-MAN HOMAGE TO TYPE O NEGATIVE

Seven Stringer
Spiritbox guitarist Mike Stringer dispels the illusion of the band’s overnight success” while being stoked about their new album and playing to massive crowds

LOST CLASSICS: X
BILLY ZOOM RECOUNTS THE MAKING OF THE ICONIC L.A. PUNKS’ 1982 MAJOR-LABEL DEBUT, UNDER THE BIG BLACK SUN

Times' New Roman
ON ALBUM NUMBER FIVE, JINJER GUITARIST ROMAN IBRAMKHALILOV IS LAYING DOWN SOME OF THE HARDEST-SWINGING RIFFS OF HIS CAREER

PEAVEY
Now celebrating six decades in the music business, Peavey offers something for every kind of player. CEO Courtland Gray looks back on the company’s most beloved products, including gear designed with Eddie Van Halen

MY PEDALBOARD STEVE HACKETT
WHAT THE PROG-ROCK ICON SEES WHEN HE LOOKS DOWN