It’s so identifiable that nearly every digital amp or guitar modeler would seem incomplete if there weren’t a preset titled “Streets” in its menu. Yet, from U2’s early recordings to his current rig, the Edge has always had that sound — whether he employed an EHX Memory Man Deluxe pedal or Korg SDD-3000 rack delays, and whether he merged longer and shorter repeats from these legendary delay units. As a result, you could almost say the Edge’s combined wash of delays pretty much revolutionized an “ambient” style of playing that’s mostly been attributed to him.
هذه القصة مأخوذة من طبعة July 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة July 2024 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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