The Rolling Stones
London Hyde Park 3/7/22
As Mick Jagger told an ecstatic 65,000 packing Hyde Park, this second "American Express British Summertime Covid super-spreader" marked the 203rd show that The Rolling Stones have played in London, as they treated their home city to a consummate thrill-packed rollercoaster of a set.
Fate, and a kindly PR, brought this fan of 59 years closer to the stage than at any Stones mega-gig in the last five decades. It was almost overwhelmingly emotional and enthralling, watching the band that have essentially soundtracked my whole life mix their magic so up-close on my 68th birthday (compounded by my beaming little sister popping her live Stones cherry). The Stones' eternal, infernal spirit was flying at full bore tonight, from a rejigged running order to infecting the vast crowd singing along with every classic number.
For this long-time Stones set-list fiend, it's been fascinating watching the European tour selections evolve, since opening night in Madrid, on 1 June, particularly the first half, which has seen one-off nuggets such as Dead Flowers in Milan, or I Wanna Be Your Man in Liverpool, or, as with Out Of Time, more obscure numbers that have become unexpected set staples. This unpredictable element served to highlight the Stones' vast, gem-studded catalogue, and demolish the concept of slickly choreographed sets trotted out as per other stadium bands.
After the inevitably moving Charlie Watts video tribute opening, the show boasted their most audacious programming yet, starting by replacing traditional opener, Street Fighting Man, with the core unit of Jagger, Richards, Wood, bassist Darryl Jones and drummer Steve Jordan, revisiting Get Off Of My Cloud, with new-found metronomic churn, followed by hotwiring 19th Nervous Breakdown into an energised pop-cowpunk hybrid, Jones replicating Bill Wyman's divebomb bass runs.
هذه القصة مأخوذة من طبعة September 2022 من Record Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2022 من Record Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
7" Heaven & Hell the Story of the 45 - The 45 turns 75 this year. Matthew Quinlan charts its history, recalling the RPM wars and two belligerent titans who went into battle over the speed of spinning sound
Someone needs to come and empty the bins behind the Lloyds Bank branch in Kingston-upon-Thames. It’s been raining and flattened cardboard slumps next to a flytipped air conditioning unit and a rusting clothes rack. There are two signs at head height on the red brick wall. One warns that you’ll be clamped if you park here; the other, a stainless-steel plaque, marks Nipper’s 100th birthday. Nipper, the dog at the heart of the HMV and RCA Victor logos, was a white terrier with chocolate brown ears, maybe a Jack Russell, Smooth Fox, or Bull Terrier, more likely a mix. This is his final resting place. He was buried under a mulberry tree but, you know, urban sprawl, progress, etc. The plaque was unveiled by the Chairman of HMV Stores on 15 August 1984, while Captain Sensible, Janice Long, and a Nipper doppelganger looked on. Round the corner, at HMV and Our Price, George Michael’s Careless Whisper was flying off the shelves, and every copy turned at 45 RPM.
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A BUNCH OF MUSICIANS - 45, COUNT 'EM! RHAPSODISE ABOUT THEIR FAVOURITE SINGLE
THE TORTURED SHOPPER'S DEPARTMENT
John Coleman celebrates the great art of vinyl collecting on the 45th Anniversary of Record Collector and finds out, in an exhausting series of anxietyinducing sprees, how much vinyl you can buy today, ina variety of outlets, with 45.
Young American
A serendipitous collaboration with David Bowie in 1974 kick-started Luther Vandross' recording career. But he still faced an uphill struggle to succeed as a solo artist. Charles Waring talks to some of the singer's most trusted collaborators about his early years and how he battled to be heard....
MOD ALMIGHTY
Steve Ellis began his career as a mod in flower-power clobber as frontman of chart-toppers Love Affair. Quitting in 1970, he worked with The Who's Roger Daltrey then gave up music to become a docker before a near-death experience. Interest in his work was rekindled after hooking up with long-time fan Paul Weller. Lois Wilson hears how his romance with music endures.
ANARCHISTS IN THE UK
EXACTLY 45 YEARS AGO, CRASS, THE ANARCHIST ACTIVIST COLLECTIVE, WERE FINISHING PIVOTAL SECOND ALBUM, STATIONS OF THE CRASS.
The boy with the thorn in his side
David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
"I COULD JUST THROW MUD AT THE WALL"
There's little sign of slowing down from the 19-year-old Pete Townshend. Currently on the go: multi-media project The Age Of Anxiety; a dance production of Quadrophenia; and Pete Townshend Live In Concert 1985-2001, a 14-disc boxset of his solo in-concert recordings. Not, he admits, that his every whim and fancy are worth deeper exploration. \"Some of them are good ideas, some of them are pretty dumb,\"
