TLANTA'S storied Stankonia Studios feel like the site of a family reunion as J.I.D walks in with a grin and daps up Big Boi with Stevie Wonder's 'As' spilling from the speakers. Both are soft-spoken, and you can barely hear what they say to each other as they exchange greetings. But it's a safe guess that they're taking a moment to show respect for each other's approach to life and their shared craft.
Fifty years after hip-hop began in the Bronx, both of these Atlanta rappers have done their part to expand the definition of the genre. Start. in 1994, when Big Boi and André 3000 created a bible for Southern hip-hop with Outkast's Southernplayalisticadillacmuzik, written in the basement studio they called the Dungeon and recorded right here. Or flash-forward to 2022, when J.I.D recorded parts of his most recent, and most personal, offering, The Forever Story, in these same studios. Big Boi helped establish that Atlanta can never be left out of the conversation, and J.I.D has helped maintain the standard he set.
With the cameras on and lights up, they settle into a languid Southern rhythm. Much like their rhymes, their conversation feels like a latesummer evening full of lightning — bright flashes that illuminate everything in sight, unpredictable yet direct. Big Boi, 48, cracks a joke that sends J.I.D, 33, into a fit of laughter. J.I.D fires something back that brings a large smile to Big Boi’s face.
Big Boi reminds us that this isn’t the first time Rolling Stone has asked him to take part in Musicians on Musicians — it’s just the first time he had someone in mind who he wanted to sit down with. This time, when the ask came in, he knew. He snaps his fingers as he recalls how he replied: “I told them, ‘Get me my dawg, man.’”
هذه القصة مأخوذة من طبعة February/March 2024 من Rolling Stone UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February/March 2024 من Rolling Stone UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Back to the Grind - The Clipse broke up when a spiritual path called to one of the brothers from Virginia. Now, one of the greatest duos in rap returns
In Norfolk, Virginia, a medium-size city teeming with unassuming single-family townhouses, homes and Pusha T's contemporary pad looks airlifted from the Hollywood Hills. With a waterfront view, large glass windows inviting in natural light, and state-of-the-art interior design, it's as if the architects asked him for inspiration and the self-proclaimed merchant of "high-taste level, luxury, drug raps" gave them a playlist of his songs.
Chappell Roan The Pain & Pleasure of a Pop Supernova - Do you want to bedazzle my grinder?
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The Scream Queen Next Door - In just a few short years, Hunter Schafer has gone from small-town North Carolina to global runways, Euphoria stardom, and her first lead role, in the horror flick Cuckoo
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Together in Electronic Dreams - Raphaella Lima of video game publisher Electronic Arts brings music to her childhood love of gaming to spotlight many of the most exciting emerging acts of the past two decades in the hit football game EA SPORTS FC
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The Mix - String Theory - On new album Odyssey, Nubya Garcia conducts sweeping strings over her innovative saxophone playing to mark herself out as a unique star of the UK jazz world
There are clichéd 'difficult second albums', and then there are those where you start almost from scratch. The difficulty with jazz prodigy Nubya Garcia's second LP, Odyssey, came when she decided that this new batch of songs she had written needed the sweeping majesty of a string section, before deciding to learn how to write and conduct it all herself.
Daydream Believer - Welsh techno-pop artist Kelly Lee Owens is the first signing to Dirty Hit's new dance label, dh2. She talks
Welsh techno-pop artist Kelly Lee Owens is the first signing to Dirty Hit's new dance label, dh2. She talks "transcending my bullshit" on the euphoric, thumping club tunes of fourth album, Dreamstate. While writing the new album, Owens was determined to make the art that my soul wants to make, ignoring outside influences and following a path and an energy that felt like it was coming to her from a higher place. "I always hoped that I'd find a home in a label that would carry that vision through," she says. When she met Daniel in Los Angeles, she asked him, "Do you care about the long term? How much time are you willing to invest in this project? What do you see?"
Sounding the Alert - The UK music industry is calling for the new Labour government to make essential changes to rescue British music - from halting the closure of venues to providing essential opportunities for new talent
To quote one Bob Dylan: "the times they are a-changin." After 14 years of Tory rule, 4 July saw a changing of the guard in British politics as Sir Keir Starmer stood on the steps of Downing Street to mark the start of a new Labour government and - according to the man himself - a decade of national renewal.Not that the result was ever in doubt, however. A cursory look at polls over the preceding year showed that a Labour landslide was very much on the cards, and it seemed like those aforementioned Dylan lyrics were about to ring true.
Staying Power- As they gave their first performance in the UK for five years, Rolling Stone UK caught up with Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N, who together make up the record-breaking K-pop phenomenon Stray Kids
As they gave their first performance in the UK for five years, Rolling Stone UK caught up with Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N, who together make up the record-breaking K-pop phenomenon Stray Kids. Here, they open up about the bonds they share between themselves and their devoted fans, as well as their common goal of super stardom
JAMIE XX WAVE AFTER WAVE
Nine years after his decade-defining debut album In Colour, Jamie xx returns with In Waves, a darker and broodier follow-up that saw him fall back in love with making music
"You can feel trapped when people perceive you as one thing"
On their career-best fourth album, Fontaines D.C. have shed their skin of old to deliver something more fantastical. Grian Chatten tells us the story behind their evolution
