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In Emily Perkins' play The Made, Alice, a 40-year-old AI engineer and sole parent, negotiates the uncharted waters of robot emotions. She has Nanny Ann, a frumpy, middle-aged humanoid bot charged with childcare and housework.
And she has Arie, a new robot built on the chassis of a former sexbot. When Alice tries to infuse her robots with emotion, Nanny Ann gains the full gamut of emotional autonomy. As Perkins says, "She has a lot of fury."
But Arie's sexbot programming limits her emotional capacity to an unflagging happiness.
Premiered by the Auckland Theatre Company last year, The Made is funny, warm-hearted and chaotic, but it also casts a hard light on the stereotypes that shape the artificial intelligence industry.
"I wanted to consider why we have not necessarily a lack of imagination, but a narrow band of imagination when it comes to what we are making AI look like and sound like and do," says Perkins. "Falling into those stereotypes is a huge problem."
Australian journalist Tracey Spicer, NSW Premier's 2019 Woman of the Year for her work in the #MeToo movement and a recipient of an Order of Australia gong, was blindsided by that problem, too. In 2016, her then 11-year-old son announced he wanted a robot slave. It was 7.45am and her son had just seen South Park's "toon hoon" Cartman bully and harass home robot Amazon Alexa.
So began Spicer's seven-year investigation into the gender, racial, age-based and sexual biases shaping the development and use of artificial intelligence.
As she says from her home in Sydney, "It is like when you see something and the scales fall from your eyes and you can't stop seeing it everywhere around you."
هذه القصة مأخوذة من طبعة June 24-30 2023 من New Zealand Listener.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 24-30 2023 من New Zealand Listener.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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Lost in the labyrinth
New Zealand was once one of the world’s most prosperous countries but it’s been mainly) down hill since the 60s. Dany. McLaucuLan identifies what’s gone wrong and the changes needed to keep us afloat.
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A never-coming-of-age tale
Across 14 chapters, we chronologically follow the fortunes of George, from age 12 through to almost 40. George is an unlikeable character and we should be thankful that he is a fictional creation, because in real life no one would tolerate his deliberate and calculating cruelty.
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Past glories
Debut novel takes a leaf out of the book of modern Irish writing, hurtling classical antiquity into the present.
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A touch of flamboyance
Miki Magasiva fell in love with film at an early age and has finally launched a debut feature that takes a tragi-comic look at grief and families.
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Pushing all the buttons
The fourth film in the hit romcom series arrives with familiar charms and fresh blokes. But it would be a good place to stop.
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Gone to ground
The Te Aroha-filmed detective series that blends Irish and Māori cultures is back.
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Refinding the self
Strokes and brain diseases can radically change our personalities. But with more understanding of how brains work, a leading neurologist says sometimes, our old selves can be restored.
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In the cross hairs
Danish actor Claes Bang's late-career boost shows no sign of abating, as he moves from TV villain to big-screen hero.
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Fabric of time
Tapa cloth samples collected from Polynesian nations on Cook's voyages have made their way into our museums and libraries.
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Let's dance
Kiwi dancer, teacher and choreographer LEILA LOIS visited one of Manila's innovative dance companies as it celebrated its 10th anniversary.