PANDEMIC aftershocks, wars geopolitical tension, geoeconomic re-posturing and a world more divided than ever with multiple poles vying to set a course of the new world order—this is the backdrop in which India assumed the presidency of the Group of 20.
While it was a truly momentous occasion for India, the world looked at us with mixed feelings, viewing us as a country that maintains deliberate strategic ambiguity and is non-allied with any world powers—a country that has always had potential but has hitherto only continued to have the potential. Having heard of us as a country with potential and demographic dividend, the sceptics were growing restless to see when we would realise them.
However, these mixed feelings faded from the moment get-go on December 1, 2022, when India assumed the G20 presidency from Indonesia. The presidency was launched to grand and rich cultural fanfare—after all, India is not just a country, but a civilisation—to the backdrop of the royal heritage city of Udaipur. The G20 delegates knew that this year would be different: it would be more than business and offer a cultural treat through sights, sounds, people and food.
When delegates visited the 15th-century Ranakpur Jain temple near Udaipur, their faces reflected the spiritual ecstasy and awareness that had set upon them. With this, we welcomed the world to the New India, an India that is rooted in its proud cultural heritage, stands by its civilisational values and is bold to set a G20 agenda.
Steering the Mandate
هذه القصة مأخوذة من طبعة August 21, 2023 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 21, 2023 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee