THE brutality of rape and murder elicits a reaction that is not only ethical and political in nature. It also evokes a response that is deeply aesthetic. By aesthetic I mean that visceral reaction to the visual and sensory reality of the crime. The pall of violence across the body, the blood around the eyes, the decimation of limbs. The brutal nakedness of it all, the pair of jeans flung to the side. At the juncture of the aesthetic and the political is the corrosive reality of violation done to a woman, invoking the dark and primitive memory of civilisation, where male power has repeatedly etched itself through scars on the woman's body and soul.
The reality of this violence is so overwhelming that it cannot but take over the narrative around it. Indeed, our very humanity is in doubt if we cannot be stunned, shocked, and inflamed as a nation at this violence done to a woman. But this outrage has also done the job of shifting focus from what goes far beyond this single incendiary incident. It is something with a longer and colder history, and a chilling and inescapable geography.
This is the reality of the corruption of medical education in the state of West Bengal. Perhaps of corruption on the whole in the state, and perhaps of the corruption of medical education nationwide too. But we will never get anywhere if we see the problems as a gigantic, endless black hole. It will swallow us and leave us listless, dead. We need to focus on the very specific web of corruption whose reality was bared by this grotesque crime. And while we explode with rage at the violation and its grotesquerie, it's crucial that we don't lose sight of the great network of crime that has taken hold of the state, made bold by the championship by a government of nightmarish corruption.
Not least because this is exactly what the perpetrators of the crime wanted-to be so shocked by the immediate so as to lose sight of the larger, well-oiled machinery behind it.
هذه القصة مأخوذة من طبعة September 1, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 1, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
No Singular Self
Sudarshan Shetty's work questions the singularity of identity
Mass Killing
Genocide or not, stop the massacre of Palestinians
Passing on the Gavel
The higher judiciary must locate its own charter in the Constitution. There should not be any ambiguity
India Reads Korea
Books, comics and webtoons by Korean writers and creators-Indian enthusiasts welcome them all
The K-kraze
A chronology of how the Korean cultural wave(s) managed to sweep global audiences
Tapping Everyday Intimacies
Korean filmmaker Hong Sang-soo departs from his outsized national cinema with low-budget, chatty dramedies
Tooth and Nail
The influence of Korean cinema on Bollywood aesthetics isn't matched by engagement with its deeper themes as scene after scene of seemingly vacuous violence testify, shorn of their original context
Beyond Enemy Lines
The recent crop of films on North-South Korea relations reflects a deep-seated yearning for the reunification of Korea
Ramyeon Mogole?
How the Korean aesthetic took over the Indian market and mindspace
Old Ties, Modern Dreams
K-culture in Tamil Nadu is a very serious pursuit for many