"She is so beautiful she is unnatural; her beauty is an abnormality, a deformity, for none of her features exhibit any of those touching imperfections that reconcile us to the imperfection of the human condition. Her beauty is a symptom of her disorder, of her soullessness. The white hands of the tenebrous belle deal the hand of destiny. Her fingernails are longer than those of the mandarins of ancient China and each is pared to a fine point." -The Lady of the House of Love by Angela Carter
In this house, you encounter several stories, time zones and places all at once. Money can collapse all natural and unnatural phenomena. Like the character in the story by Carter, who is a vampire and forever preserved in her bridal ensemble and in her youth, Shalini Passi, an art entrepreneur, whose eccentricities are now a rage after her debut in Fabulous Lives Vs Bollywood Wives, is a persona frozen in time. That time is now. Some are even calling her the new self-care guru. Passi is now everywhere. She knows nothing lasts forever. This fame that she had always aspired for has come to her at last. She is now a part of Bollywood.
She walked the runway for several designers over the last few years and, in 2020, in a flaming red dress, she was a part of an allegorical tale in artist Vibha Galhotra’s The Final Feast, where she is the protagonist who cuts a blue “globe-cake” before the rich and the elite leave the earth that has fallen apart after human greed has finished all resources. Inspired by The Last Supper by Leonardo Da Vinci, the staged-photo work is a sarcastic take on the rich and the rising inequality. Passi fit the part perfectly. For the artist, it was an obvious choice.
هذه القصة مأخوذة من طبعة December 11, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 11, 2024 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Between Life, Death and Protest
The strain of sustaining a long protest is evident among farmers at Khanauri, but the sense of community remains strong
Protest 2.0
Farmers still have hopes from their leaders, but time is running out. The enemies, in the meanwhile, are sharpening their weapons
Trajectory of Nowhere
In the context of space and time, who are we humans and do we even matter?
All of God's Men
THE ongoing Maha Kumbh at Prayagraj is a spectacle, a photo op, and an emotion and manifestation of the mixing of spirituality and faith.
Embers Rekindled
While the recent death by suicide of a farmer has rendered the mood sombre at Shambhu border, the protests have picked momentum at the call of the unions
Time for Course Correction
What the protest by Punjab's landed peasantry tells us about the state's economy and society
The Untouchable
The ideological chasm between Ambedkar's vision and the Hindutva worldview remains irreconcilable
Frontliners
A day in the life of women protesting at Shambhu border
The Farmer-Composing Antagonist
Farmer leader Jagjit Singh Dallewal has been on a fast-unto-death at Khanauri border to pressurise the government to fulfil its promises to the farming community
Till Death Do Us Part
Jagjit Singh Dallewal has reinforced how a fast unto death can serve as a warning and an appeal to the public and the government