In all my years doing research at the National Archives, I had never cried. That day in fall 2012, I had simply planned to examine documentary material that might help determine how the yet-to-be-built National Museum of African American History and Culture would explore and present the complicated history of American slavery and freedom.
As I read through the papers of the Bureau of Refugees, Freedmen, and Abandoned Lands—the Freedmen’s Bureau, as it’s usually called—I decided to see if I could find records from Wake County, North Carolina, where I knew some of my own enslaved ancestors had lived. I had few expectations because I knew so little about my family’s history. From a surviving wedding certificate for my paternal great-grandparents, I’d gotten the name of my earliest-known family member, an enslaved woman named Candis Bunch, my great-great- grandmother. But scrolling through rolls of microfilmed documents from the Raleigh office of the Freedmen’s Bureau, I realized the chances were remote that I would find my ancestor.
But when I turned my attention to a series of labor contracts— designed to give the newly freed some legal protections as they negotiated working relation ships with their former enslavers— I found a single page documenting a contract between Fabius H. Perry, who owned the plantation next to the one where my ancestors had been enslaved, and Candis Bunch. That page not only filled a void in my knowledge of my family’s history, but also enriched my understanding of myself.
هذه القصة مأخوذة من طبعة December 2023 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 2023 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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