Harold Pinter's heightened domestic drama from 1964, in which an academic finally introduces his wife to the brutish all-male north London home he escaped, juxtaposes comedy and threat.
Matthew Dunster's production operates a notch above naturalism until the latent violence and misogyny of the script erupt in spotlit bursts, accompanied by percussive jazz. It's a gripping watch but a hard one, even though Dunster gives the female character Ruth (Lisa Diveney) more agency than usual.
The household here is recognisable today but defined by violence.
هذه القصة مأخوذة من طبعة December 06, 2023 من Evening Standard.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 06, 2023 من Evening Standard.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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