This week, the wheels of Taylor Swift's much-ballyhooed private jet touched down on UK soil. In stadiums across the country, the American pop sensation will perform her Eras Tour show - a mammoth, career-spanning endeavour that encompasses music from all of her 11 albums, and lasts for three whole hours (on top of a 45-minute opening set from Paramore). Those unwilling or unable to shell out triple-digit fees for tickets can always make do by watching the filmed, unabridged version of the concert on Disney+; that one lasts for three and a half hours, and streams under the title The Eras Tour (Taylor’s Version). It makes sense choosing that name – you couldn’t exactly call it the Swift Version.
But how long is too long, when it comes to live music? Twentytwo-year-old pop prodigy Billie Eilish recently described the prospect of a three-hour gig as “literally psychotic”, telling followers on social media: “Nobody wants that. You guys don’t want that. I don’t want that. I don’t even want that as a fan.” Of course, that’s easy enough for Eilish to say. If you listened to her entire three-album, two-EP discography back to back, it would still fall short of Swift’s marathon set times. But, while the “bad guy” singer-songwriter didn’t call out The Eras Tour by name, it certainly resonates with Swift’s current maximalist streak.
هذه القصة مأخوذة من طبعة June 08, 2024 من The Independent.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 08, 2024 من The Independent.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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