Many years ago, I discovered the importance of the direction of light and its relationship to photography. Understanding that there are essentially three directions, each requiring a different approach to exposure, immediately had a fundamental and long-lasting impact on my work and my confidence. At its simplest you can categorise light into frontal, side, and backlighting. Each direction of light has a very different effect on the form of the subject - largely due to whether shadows are present and where they fall. I try to deliver all three directions of light on every shoot whether I am working indoors or outdoors. Taking this approach helps me to focus and make decisions with confidence and with speed.
It is important to recognise that when you work on location it can be much harder to control the light than in a blackout studio set-up, which is the equivalent of starting with a blank sheet of paper. I do not get fixated on 'perfect' portrait lighting but still borrow from styles such as Rembrandt or Butterfly. In all cases my approach is to judge the ambient lighting first, how can I use it to my advantage and how does it help to establish mood and atmosphere. Then I decide on whether I need to modify the light or add additional lighting to further enhance the portrait. Choosing how you want to work with light in terms of direction should help you make critical posing and directing decisions too.
Frontal Lighting
هذه القصة مأخوذة من طبعة June 06, 2023 من Amateur Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 06, 2023 من Amateur Photographer.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.